翻訳と辞書 Words near each other ・ Loruk ・ Lorum ・ Lorum High Cross ・ Lorum, Iran ・ LORUN ・ Lorun ・ Lorup ・ Lorus Pratt ・ Lorusso ・ Lorut ・ Loruth ・ Lorven ・ Lorraine Murray ・ Lorraine Newman ・ Lorraine Nicholson ・ Lorraine O'Grady ・ Lorraine Open ・ Lorraine Open 88 ・ Lorraine Pagé ・ Lorraine Park Cemetery ・ Lorraine Park Cemetery Gate Lodge ・ Lorraine Pascale ・ Lorraine Pearson ・ Lorraine Peter ・ Lorraine Pilkington ・ Lorraine Pintal ・ Lorraine Potocki ・ Lorraine Pétrel ・ Lorraine railway viaduct ・ Lorraine Regional Natural Park Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Lorraine O'Grady ： ウィキペディア英語版 Lorraine O'Grady Lorraine O'Grady (born 1934 in Boston) is a New York-based, American conceptual artist, who has worked in the areas of performance art and photo and video installation. Her work focuses on universal and timeless values in topical issues such as diaspora, hybridity, and black female subjectivity. It also attempts a shift in art discourse to show how these topics have influenced the history of modernism. == Work == O'Grady studied economics and literature at Wellesley College before becoming an artist in 1980.〔Linda M. Montano, ''Performance Artists Talking in the Eighties'', University of California Press, 2000, p513. ISBN 0-520-21022-0〕 In the 1980s, she created the adopted persona of Mlle Bourgeoise Noire''' to invade art openings while wearing a gown made of 180 pairs of white gloves,〔(''Art in America'', July 1994 ) (Volume 82, Number 7) 〕 beating herself with a white cat-o-nine-tails and shouting out poems that railed against a still-segregated art world she perceived as not looking beyond a small circle of friends. Beginning in 1991 she added photo installations to her conceptually based work.〔 And in 2007, she made her first video installation during a residency at Artpace in San Antonio, Texas. Her strongly feminist work has been widely exhibited, particularly in New York and Europe. O'Grady's early Mlle Bourgeoise Noire''' performance was given new recognition when it was made an entry-point to the landmark exhibit ''WACK! Art and the Feminist Revolution'', the first mainstream museum show of this groundbreaking art movement. And recently her practice, seemingly located at and defining the cusp between modernism and a "not-quite-post-modernist" present, has become the subject of increased interest. It received a two-article cover feature in the May 2009 issue of Artforum Magazine and, in December 2009, was given a one-person exhibit in the U.S.'s most important contemporary art fair, Art Basel Miami Beach. Subsequently, O'Grady was one of 55 artists selected for inclusion in the 2010 Whitney Biennial. Her work also featured in the seminal exhibition Radical Presence: Black Performance in Contemporary Art. O'Grady first exhibited at age 45, after successful careers among others as a government intelligence analyst, translator, and rock critic—may have contributed to unusually broad perspective in her work as both an artist and writer. In addition to articles she has written for publications such as Artforum Magazine and Art Lies, her canonical essay, "Olympia's Maid: Reclaiming Black Female Subjectivity," has now been anthologized numerous times, most recently in Amelia Jones, ed, ''The Feminism and Visual Culture Reader'', (2nd Edition, Routledge, 2010). She lives and works in the Meatpacking District of New York City. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Lorraine O'Grady」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.